Wayne State University
College of Lifelong Learning
Interdisciplinary Studies Program
Instructor email: d.r.bowen@wayne.edu
Instructor tel (WSU) (313) 577-1498 / (Home) (248) 549-8518
Creativity: Building the New, Winter 2000
http://www.cll.wayne.edu/isp/drbowen/crtvyw00
3 credit version: ISP 5500 Section 981, Call Number 90577, 3 cr.
OR
4 credit version: ISP 5550 Section 982, Call Number 93669, 4 cr.

Last update: 3/2/2000
Link back to course Welcome

Topics for Essay B

Pick one of the topics below for your Essay B. If you want to use a different topic, email it to me for approval before you start work. A topic of your own should deal in some way with the full range of creativity, as do the topics below. Essay B should cover your reading for the three main texts for this course, Corporate Creativity, Creating Minds and Creativity, up to two weeks before the essay due date. The form and grading for Essay B are the same as for Essay A. In the header for the essay, be sure to list the topic of the essay.

  1. Compare and contrast Creativity within a corporation as described in Corporate Creativity and individual Creativity as described in Creating Minds and Creativity. Compare and contrast means to describe how they are similar and how they are different.
  2. Many of you have said how you like one of the texts for this course better than another. (Opinion, by the way, is definitely not unanimous.) The texts in question for this topic are the three main ones,  Corporate Creativity, Creating Minds and Creativity. Compare and contrast the text that you like the most with the text that you like the least. See the note above about the meaning of "compare and contrast." In particular, is the difference in your liking a reflection in (a) the time at which you read them, (b) differences in the topics or style of the books, or (c) differences in your interests? How did each contribute to or possibly detract from your understanding of the full scope of Creativity? Why should each be continued or dropped from this course?
  3. For the purpose of illustrating what the full range of creativity is, is there a single person that you would advocate adding to the course content? What information is available in assessing or illustrating the creativity of this individual? Compare and contrast the amount and type of this information to that available in the existing texts. That is, questions such as: what do we know about the inner creative goals and conflicts within this person, what do we know about their creative process, what do we know about how they saw the field they were working in, how has their contribution influenced others in the field? While you do not need to cover all of the foregoing questions, and you may in fact cover an entirely different set of questions of your own invention, you must identify the set of questions that your essay covers, and you must compare and contrast the information you are describing with the existing texts.
  4. All of the texts have made the point that Creativity within a single individual has always been limited to a single field. That is, creative individuals may have wide-ranging interests, but their main contributions are confined to a narrow range. For several individuals you have studied in this course, describe the individual's work and how it fits this pattern. What conclusion(s) can you or the authors that you have read for this course draw from this general pattern?
  5. Some of the attributes of highly creative people are: (a) a childhood interest in the are in which the adult becomes creative, (b) some formal education in the area, (c) some early success in the area, (d) intense focus on the area, and (e) a high level of output, even if much of it is mediocre. Add to this list if you want, but apply it to an individual that you have studied in this course, and describe the specifics of your list for that person. How can you or the authors you have read fit these elements together into a more general patter of creativity?
  6. For someone who enjoys creative work in a certain area, "going pro" is often a critical decision. That is, going pro, quitting your day job and doing what you like for a living, is often the only way to spend more time in that area. It also sets a high and challenging standard for your output and allows the time necessary to upgrade skills. What are the advantages and risks in going pro? Apply this to someone that you have read about for this course. If you want, add a second person outside of the course. Compare and contrast how this decision affected this person/these people.
  7. Why should corporations care about their level of creativity, and what can businesses do to foster creativity?